Thursday, October 9, 2008

Religulous (2008)

I like Bill Maher, I even liked him when I hated him. He fills something of the role of a loyal opposition to the conventional wisdom, an important if not often well received avocation in this country, and the world at large. Maher’s new film, often labeled a documentary, though he prefers “unscripted comedy”, (a categorization that fits all the more well given that its directed by Larry Charles of Borat fame) is about religion, and how its... ridiculous. Or at least that’s what Maher, and as much as 16% of the country feel about the subject of religion now. In fact its that 16% to whom this film is mostly addressed, not just for that constituencies entertainment, but also to call for their mobilization. The film points out how atheists, agnostics, and the religiously uninterested represent the great untaped special interest group in American politics (only 1 of the 535 members of congress will admit to a lack of belief in God). Maher wants these people to rise up and assert their influence, noting how homosexuals and NRA members have done so quite effectively, and there only 3 and 1.2% of the population respectively. I have no doubt we will see more atheistic influence in this country as we become more like Europe in many of our collective sensibilities, and this will be quite helpful in quailing many of the political excesses of the religious right, though doubtless not without its own fallouts. Anyway I digress.

Religulous can be approach two ways, for its polemics, many of which have great merits, and for its entertainment value. For blogging comment safety purposes I’ll limit myself largely to the entertainment aspects. This movie is funny. It is also smart. Some of the great moments come simply from Maher’s facial expressions following any of a number of interview subjects making particularly incredulous statements. Maher stacks his film with religious persons whom it is easy not to take seriously, the Rabbi who is a militant anti-Zionist and once exchanged hugs with Iran’s president at a Holocaust deniers conference (one desperately wants to see that guy mocked), an ex R & B singer turned pastor fond of $2000 suits, a Muslim rap artist whose attempts at being insightful and nuanced only make him look foolish, and even tolerant of murder. True a handful of well educated religious people appear in the film, most notably two decidedly unorthodox seeming Catholic priests, but they seem mostly if not exclusively on Maher’s side (what’s the old joke about all Bishops in the Church of England being atheists). But as one reviewer said of the film, maybe its best just to ignore the parts about your own religion in the film (in my case Mormons get about 4 or 5 minutes of air time), and enjoy the skewering of everybody else’s. In a religiously charged world there can be some value to channeled venting, the 2 minutes or so spent watching audiences cheer the re-enacted beatings and lashings of Christ at a Bible themed amusement park, pretty much sums up most of my criticisms of Evangelical Christianity. This is provocative humor and social commentary of almost rare rawness, and thusly a joyous blessing to behold for those who have the stomach for it. I’m glade I was able to rush from my Tuesday night Doctrines of the Gospel class in time to see it. 4 out of 5.

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